Twelve live horses by Kounellis free to defecate and urinate in Fabio Sargentini’s L’Attico gallery Gino De Dominicis and his attempt to make a square form instead of circles around a stone falling into the water at the Quadriennale in Rome the infamous meeting between Andy Warhol and Joseph Beuys at Lucio Amelio’s gallery Mario Merz’s abandonment of a practical space for a theoretical one Anne Marie Boetti and Ableo’s improvisation of a flute concert barefoot on the beach children playing hide-and-seek under Pascali’s The Blue Widow.
Six photographers who constantly followed the changes of the time, ready to immortalize everything that was happening in the rooms of the Venice Biennale, at Documenta in Kassel, in the underground car park of Villa Borghese with “Contemporanea” exhibition and in the historic “Arte povera più azioni povere” exhibition at the Amalfi arsenals in 1968. On show, a dialogue between Claudio Abate and Bruno Manconi, Fabio Donato and Mimmo Jodice, Paolo Mussat Sartor and Paolo Pellion di Persano. They were works that could not be sold, they would no longer be made, and the photographic image became fundamental’, this is how photographer Claudio Abate explained the importance of the image, of the photographic shot that contributes to, and in some cases determines, the preservation of memory and history.Ĭlaudio Abate, Mostra Senza Titolo di Jannis Kounellis, Galleria L’Attico, Roma, 1969. Or rather, I look at how the artist looks at the work. “I don’t just look at the work, I look at the artist. Here we find an impetus of rebellion, a natural instinctiveness that had finally found a voice outside institutional spaces, a long-awaited loosening of chains that had led art into the squares and streets of cities, stripping many galleries of their sacred value and shattering that process of crystallisation that made every artwork eternal. In the exhibition “La rivoluzione siamo noi” we take a journey through three Italian cities, protagonists of the social and political changes of the 1960s and 1970s: Turin, Rome and Naples. Paolo Mussat Sartor, Michelangelo Pistoletto, Torino, 1970.
#Keytty rafaella archive#
The solo exhibition of Ketty La Rocca is curated by Raffaella Perna and Monica Poggi, realised thanks to the collaboration with the Ketty La Rocca Archive and with the contribution of Galleria Frittelli in Florence. The first exhibition presents 150 images from different photographers’ archives, it’s curated by Ludovico Pratesi and organised by Archivio Luce Cinecittà in collaboration with CAMERA. Arte in Italia 1967-1977” and “Ketty La Rocca. Thus, CAMERA – Centro Italiano per la Fotografia (Turin) continues its mission to valorise 20th century photography, hosting two parallel exhibitions: “La rivoluzione siamo noi. A historical period, the one of the 1960s and 1970s, in which Italy seemed to have become a laboratory open to extreme experimentations, to conceptual and carnal experiences that had been unthinkable until then. Incandescent years, days that started to have the flavour of modernity, squares that got rid of centuries-old yokes. These findings demonstrate that the pattern of viral replication and clearance in the first 2-3 mo of life is strictly correlated with, and predictive of disease evolution in vertically infected infants.Fabio Donato, Andy Warhol e Joseph Beuys, Galleria Lucio Amelio, Napoli, 1980. All infants displaying the first pattern developed early AIDS, while infants with slower clinical progression exhibited the second or third pattern. Although all infants showed an increase in the indices of viral replication within their first weeks of life, three distinct patterns emerged: (a) a rapid increase in plasma viral RNA and cell-associated proviral DNA during the first 4-6 wk, reaching high steady state levels (> 1,000 HIV-1 copies/10(5) PBMC and > 1,000,000 RNA copies/ml plasma) within 2-3 mo of age (b) a similar initial rapid increase in viral load, followed by a 2.5-50-fold decline in viral levels (c) a significantly lower (> 10-fold) viral increase during the first 4-6 wk of age. Viral load in cells and plasma was measured by highly sensitive competitive PCR-based methods.
We investigated the relationship between the pattern of HIV-1 replication early in life and disease outcome in eleven infected infants sequentially studied from birth. About one-third of vertically HIV-1 infected infants develop AIDS within the first months of life the remainder show slower disease progression.
0 kommentar(er)
